Two Poems by Eric Fischmann
Safety Instruction Card
I am looking at the plane's heart and down
at the pate of Colorado's skull if this were
a phrenological expedition I would touch
each peak with sensors sweep the Rockies
we are skyborne without feathers beside
the emergency exit a few inches between me
and ten thousand feet soon it will be thirty are
you willing to help in case of an emergency?
Nod. "I need a verbal yes or no." We are 45
degrees to the earth my hair is being pulled
back into the engines sink and swim fins
to the ground as we turn I feel my stomach
caving in. I fucking love flying have I made
that clear? Spherical farms crop circles like
Mickey Mouse ears or Pac-Mans or pokeballs
the patchwork quilt of America below us.
Now the mountains have turned to clouds the
flight attendant invites us to enjoy some
"expected rough air" I can't wait I have faith
in the mechanism machines have rights that
some humans don't for instance what would
happen if I pulled this lever? The sky thickens
like white coral we are looking down at it quiet
gods with sodas and snacks if we're good the
angels might bring us extra there is no seatback
in front of me no tray table to set right I write
this on my left thigh face pressed to a submarine
window with not another fish in the sky. Only
castles and cotton balls, turtles and dragons and
giants' feet. They flatten their shadows against
the round dirt one thread equals 12 miles of
darkness I'll have a ginger ale please and pretzels.
I get why it scares you, the void above us, blue
fading to black are we going down or falling up?
In the event of escape velocity you will be blown
out the airlock please put on your own oxygen
mask before you help anyone else with theirs.
The engine eyes me hungrily spinning teeth the
wing gestures I am listening no one is going to let
the apple drop. I could fall asleep in this crib.
The thrum of the windshear, the plane gently rocking,
the captain's lullaby making its final descent.
​
Visit to MoMA
Everyone is waiting for the art to tell them
what it means, but no one wants to talk to it.
The shadows are as loud as any landscape.
You're not supposed to blow on the hanging
woven structures, but we do. The geometric
abstractions point to the ceiling and walls,
to fire exits, occupancy signs, the illusion
of safety. The museum only bought Monet's
Waterlilies because Pollack had made giant
panels popular again, and Pollack ripped off
his wet style from a Mexican artist named
Siqueiros. The art industry killed SAMO
just like the music industry killed Cobain.
A fly leaves its shadow on the melting clock.
We watch Duchamp's spirals through his own
shattered looking glass. What is it you are
trying to tell us, moons of Gibraltar? Tourists
know they are at a tourist attraction, but they
don't know why. Maybe their cameras. This
is what a bird really looks like: polished brass.
Remember when Marina Abramovic and
her lover sat right there? Take a picture
so it looks like they are kissing my cheeks.
Eric Raanan Fischman received his MFA from Naropa University's Jack Kerouac School of Disembodied Poetics in 2013. He lives and works in Colorado, and teaches classes for the Beyond Academia Free Skool at the Love Shovel Ranch in Nederland. His first book, "Mordy Gets Enlightened," was released this past year by The Little Door Press.
​
​
WANNA BUY ERIC'S BOOK? CLICK BELOW